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Chinoiserie: Commerce and critical ornament in eighteenth-century Britain (Studies in Design)

Chinoiserie: Commerce and critical ornament in eighteenth-century Britain (Studies in Design)

124,68 €
Einband: Gebundene Ausgabe
Seitenzahl: 258 Seiten
Erscheinungsdatum: 01.01.1970
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Chinoiserie: Commerce and Critical Ornament in Eighteenth-century Britain (Studies in Design) (Studies in Design and Material Culture) Brand: Manchester University Press Product Type: ABIS_BOOK

Chinoiserie: Commerce and critical ornament in eighteenth-century Britain (Studies in Design) von Sloboda, Stacey im Online-Buchhandel:

Chinoiserie: Commerce and critical ornament in eighteenth-century Britain (Studies in Design)
Chinoiserie: Commerce and critical ornament in eighteenth-century Britain (Studies in Design)
von Sloboda, Stacey
124,68 €
gefunden bei Amazon Marketplace
Chinoiserie: Commerce and Critical Ornament in Eighteenth-century Britain (Studies in Design) (Studies...
Chinoiserie: Commerce and Critical Ornament in Eighteenth-century Britain (Studies in Design) (Studies in Design and Material Culture) Brand: Manchester University Press Product Type: ABIS_BOOK
Einband: Gebundene Ausgabe, Seitenzahl: 258 Seiten
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Chinoiserie: Commerce and Critical Ornament in Eighteenth-Century Britain (Studies in Design) von Manchester University Press
Chinoiserie: Commerce and Critical Ornament in Eighteenth-Century Britain (Studies in Design)
von Stacey Sloboda
141,31 €
gefunden bei AMZN_Retail
In a critical reassessment of chinoiserie, a style both praised and derided for its triviality, prettiness...
In a critical reassessment of chinoiserie, a style both praised and derided for its triviality, prettiness and ornamental excesses, Stacey Sloboda argues that chinoiserie was no mute participant in eighteenth-century global consumer culture, but was instead a critical commentator on that culture. Analysing ceramics, wallpaper, furniture, garden architecture and other significant examples of British and Chinese design, this book takes an object-focused approach to studying the cultural phenomenon of the 'Chinese taste' in eighteenth-century Britain. It is essential reading for anyone interested in the critical history of design and the decorative arts in the period, and students and scholars of art history, material culture, eighteenth-century studies and British history will find a novel approach to studying the decorative arts and a forceful argument for their critical capacities.
Verlag: Manchester University Press
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